“Genius is not measured by a number alone, but by the deeds and inventions it brings to our world. To possess the number alone, and to make inventions of wide-scale destruction, is not the hallmark of Genius—it is the hallmark of Idiot Genius.” ~Idiot Genius: Willa Snap and the Clockwerk Boy
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Midwest Book Review
The folks at MBR released a review of Idiot Genius: Willa Snap and the Clockwerk Boy today! We’re really excited to post it here!
Idiot Genius: Willa Snap and the Clockwerk Boy pairs lovely illustrations by Carolyn Arcabascio with the first book in a satisfyingly original, compelling series for ages 9-12, introducing Willamina Gilbert Snap, an eleven-year-old who discovers there’s a force keeping the world from destruction – and that force is comprised of Idiots.
She should know: she’s apparently one herself, and her destiny is to never see home again – among other things.
Idiot Genius: Willa Snap and the Clockwerk Boy represents Willa’s “first highly illegal memoir” and details her venture into Grandeur, a city of time-traveling dragons, talkative cats, and scientific discoveries unknown to Outside.
There’s a lot to relish about Idiot Genius: Willa Snap and the Clockwerk Boy; not the least of which is an approach that offers much food for thought about the structure of Willa’s world and the science and psychology behind it: “The problem is that geniuses – both capital G and small g – either think you understand everything they’ve said as perfectly as they do, or that you’re as dumb as dirt. It’s one of their biggest flaws.”
From the baristas’ strange brewed creatures (“a hermit crab the size of a basketball, a foxlike cashier wearing a hat and vest, and a small winged dragon perched in a cage, preening its bright green feathers“) to devices that rent unused brain space, Willa sweeps readers along. Sentient Clockwerks, a cat-run curiosity shop, and steam-powered rhino cabs coexist in a setting the author describes as “polypunk.”
It’s unusual to see such sci-fi depth and detail in a title directed to young adults, but this is precisely what makes Idiot Genius: Willa Snap and the Clockwerk Boy such an appealing production: the characterization is solid while its fantastic setting will intrigue ages well beyond its intended 9-12-year-old audience.
Time vortexes, ghosts, and the costs of navigating this odd world make for a complex but thoroughly engrossing story recommended for young sci-fi and fantasy fans who hold a prior attraction to books such as John Bellairs’ House with a Clock in its Walls. From its engaging drawings to its powerful message, Idiot Genius will leave readers musing about Willa Snap’s adventures long after the winding story concludes. It is highly recommended for young adults seeking something compellingly different in tone, approach, and perspective.
The Magnificent Lady Grayson of the Silky White Underbelly, or Just Grayson for Short
The Magnificent Lady Grayson of the Silky White
Underbelly, or Just Grayson for Short
We were due at the hall in less than an hour, and my cat, The Magnificent Lady Grayson of the Silky White Underbelly, or Just Grayson for Short, was mixing up my mother’s speaking notes by employing her claws to simulate a Cuisinart. Shredded papers were flying everywhere.
Excerpt from Willa Snap and the Clockwerk Boy, by Richard Due, illustrations by Carolyn Arcabascio Illustration. (Coming Dec 2017.)
Standing in the hallway was a man enveloped in steam. I say man, but honestly, that was up for debate. His leather coat seemed normal enough, but the cloak draped over his shoulders was studded with small steam pipes puffing away at regular intervals. WAS THIS GUY STEAM POWERED? In one hand he gripped a brass-topped cane, in the other, a clipboard covered with gears. Perched on his head was a top hat mounted with aviator goggles. A monocle—a monocle!—adorned his left eye. He must have had a good twenty pounds of brass gadgets strapped to him. And I couldn’t have told you what a single one of them did.
Excerpt from Idiot Genius: Willa Snap and the Clockwerk Boy, by Richard Due. Illustrations by Carolyn Arcabascio. (Coming Dec 2017.)